The Expressionism Perspective of the Kurdistan Region’s Monuments

Abstract

The question of the Kurdistan region's monuments is different because the view is controlled by of time and place, as well as the external and nuclear factors that affect the artist's mind and feelings, so we can say science and art have one source: art embodies the impact of reality through artistic text, but science lays the foundation of theory because of understanding the law, and art goes from public text to private, and science from private to public.

Expression is an important subject that directly embodies expressions at different levels and different perspectives in the art form. From here we can see that expression is an understanding of the mind and a sense of involvement in mental action and changing to imagination, expressing a goal with words, pictures, movements or any concrete form such as statues, symbols and images express meaning, the construction and expression of statues can be the process in which the artist's artistic visualizations are performed.  The process of skeleton expression and monuments is an executive process and embodies different perspectives to provide forms with different expressions, which have been worked on in different artistic directions with a clear perspective, and in each direction, a dimension or more is taken into consideration, for example. In the era of classical art, the reality that originated from paying attention to thought and nature was reflected in their artistic works and they cared about embodying the human body, but in modern times, changes in embodiment of expressions came in the actions of the statues in (space, form, human, movement) And this is at a time when in the modern era, embodiment of expressions has been worked on in different perspectives that non-materials often become a substitute for form and material)